We’ve seen IBM’s Watson politely annihilate humans in Jeopardy, make a movie trailer for Morgan, create never-before-eaten recipes and even understand nuance and tone… to say the least. Now it’s moving on to music.
Watson Beat is IBM’s music arm of Watson; an AI-driven music composing app that’s sparked some debate about music copyright.
Speaking on the panel at Amsterdam Dance Event’s Tech conference yesterday, IBM THINKLab Director, Elizabeth Transier, explained how this open sourced, AI-powered music generator works.
“Essentially you take monophonic melody input and pick a genre and Watson Beat will generate composition after composition after composition until it’s a non-deterministic model – so everything is always unique.”
This is made possible by the ‘cognitive technology’ developed by IBMresearchers, Janani Mukandan and Richard Daskas. By teaching Watson Beat the nuances and characteristics of music keys and music theory, the AI technology creates completely original songs with varying moods or styles.
Developers foresee the technology being used to inspire musicians out of ‘writer’s block’, eliminate genre biases or simply to create music that’s never been heard before.
However, when it comes to who owns the music created by a machine, no one seems to have a solid answer.
“I have some pretty strong opinions about copyright, but, I’m not a lawyer,” explained Transier. “I actually don’t think a machine can own a copyright. I think it’s the person who sees that spark and takes it and creates something with it. I think that’s the owner. But that’s not an IBM statement,” she added.
Entertainment Lawyer, Bjorn Schipper, who was also on yesterday’s panel, explained that copyright for AI-composed music is an extremely new area so it’s hard to give a definitive answer.
“In the past, you could always direct [a creation] to a human being. In the future, there’s no human spark anymore – maybe the spark is being made by a machine. So then, from a legal perspective, if it’s not traceable to anything, what do you do with it?”
Schipper went on to explain the issue of music copyright from current legal standards. “According to European copyright law, [a creation] must be the own intellectual creation of ‘the author’ and in the law it says [the author] must be a human being these days,” Schipper continued. “So without human intervention, it’s hard to say if there will be copyright protection.”
– Except from The Next Web by Camille Charluet . See the full article here.
—————————————————————————————————————————–
Disclaimer: Please note that the information contained within this news post and site is offered simply as a consideration to visitors who are in the entertainment industry and are seeking to learn more about various areas of entertainment, be it in film, movies, television, music, digital, new media, film financing, merchandising and/or branding. As such, the information so provided should never be construed as legal advice. If you need further assistance or legal advice for your specific matter, please do not hesitate in contacting an entertainment attorney (film, music, digital, licensing, financing) here in Los Angeles, California at The Hollywood Lawyer by(1) emailing us at info@hollywoodlawyer.com; (2) calling us at (323) 300-4184; or (3) filling out our online form.
