A. Lee Alfred, II and Ezequiel Martinez, Jr. allege that Disney lifted “copyrighted expression of themes, settings, dialogue, characters, plot, mood, sequence of events” from their 2000 spec script entitled Pirates of the Caribbean.” Unlike many such similar suits, the duo say they submitted the script while working with Disney on their Red Hood project that the studio was interested in. During that period from late 1999 to 2000, the two writers and their producer Tova Laiter say they worked closely with Disney’s Brigham Taylor, Josh Harmon and Michael Haynes, among others. In fact, they say Disney got them into the Writers Guild as work progressed on the never-made Red Hood.
Then, soon after Laiter handed the Pirates script and a sizzle reel to Taylor on August 9, 2000, things started to sink in the relationship with Disney – especially after a copy of the screenplay and original artwork was supposedly spied on the coffee table in Taylor’s office and they were quickly hustled out of the room.
The jury trial demanding suit seeks wide ranging damages, profits and an injunction that would put all the Pirates pics in dock it seems.
“The opportunity to have a major film studio, such as Defendants, take a screenwriter’s original spec screenplay and turn the work into a major motion picture is the ultimate dream,” states the complaint filed Tuesday in Colorado federal court against almost every corporate aspect of Disney. “A. Lee Alfred, II and Ezequiel Martinez, Jr. almost realized that dream, but they this dream quickly turned into a nightmare, when their original work, ‘The Screenplay,’ was intentionally copied and commercially exploited by Defendant’s, creating a billion-dollar franchise, with no credit or compensation to Alfred or Martinez,” the document for the two scribes and producer Laiter adds (read it here).
Very soon after that meeting in Taylor’s office, according to the suit, the writers were paid out for their Red Hood work and basically put back on a plane to Colorado, their dalliance with Disney seemingly over.
“Shortly thereafter, Laiter was informed by Taylor that the Defendants were going to pass on the project due to children being in ‘The Screenplay’, the 25-page filing details. Alfred and Martinez were both on the phone (listening on silent) when Laiter was informed that Defendants were passing on the original spec screenplay and passing on the project,” it notes. “At no point during the conversation did the Defendants state that they had another screenplay already and were moving forward with a Pirates of the Caribbean film project,” the complaint adds.
– Excerpt from an article written by Dominic Patten for Deadline. Full article found here.
Disclaimer: Please note that the information contained within this news post and site is offered simply as a consideration to visitors who are in the entertainment industry and are seeking to learn more about various areas of entertainment, be it in film, movies, television, music, digital, new media, film financing, merchandising and/or branding. As such, the information so provided should never be construed as legal advice. If you need further assistance or legal advice for your specific matter, please do not hesitate in contacting an entertainment attorney (film, music, digital, licensing, financing) here in Los Angeles, California at The Hollywood Lawyer by(1) emailing us at email@example.com; (2) calling us at (323) 300-4184; or (3) filling out our online form. www.thehollywoodlawyer.com.